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Sweden 1968 Dir: Ingmar Bergman. 90 min. DCP Dates and Venue 6 - 10 Jul 2018 | Cinémathèque, 1131 Howe Street, Vancouver Reviewer Ed Farolan This year marks the 100th birth anniversary of Ingmar Bergman (1918-2007), and The Cinémathèque celebrates a retrospective of Ingmar films until August 22. He stands out as one of the pioneers of art-house cinema (vs. Hollywood commercial movies), which include his predecessors Griffith, Eisenstein, Buñuel, Dali and later on Fellini and the French wave. I first thought, from the title, that this would be one of those typical horror films about vampires and werewolves, but as the film progressed, the main character, painter Johan Borg (Max von Sydow) tells his young wife Alma (Liv Ullmann) of the "vargtimmen" ("Hour of the Wolf"), the hour before dawn, where most births and deaths occur. This is an extraordinary film. I was a young man in the 1960s when I got exposed to Bergman´s films, and that decade, I remember, was memorable: the Beatles, Vietnam war, Beatniks, Pollock. It was a decade of experimenation in film and theatre, and I myself was doing experimental theatre in Greek and Shakesperean drama. Go see this enigmatic film. It will hold your interest from beginning to end.
Sweden 1969 Dir: Ingmar Bergman. 72 min. 35mm Dates and Venue 8 - 10 Jul 2018 | Pacific Cinémathèque, 1131 Howe Street, Vancouver Reviewer Ed Farolan This is one of two films (the other one, "Torment") which The Cinematheque is screening from existing 35mm prints. I still remember this format watching films in the fifties. This particular film is described as a "psychosexual chamber drama" which was originally made for Swedish TV. This is one of Bergman´s innovative period films, and it´s about a trio of actors — husband (Gunnar Björnstrand), wife (Ingrid Thulin), and wife’s lover (Anders Ek) — called up before a magistrate (played by the appropriately named Erik Hell) on charges of obscenity. Their examination becomes a cruel, sadistic inquisition, and culminates in a chilling re-creation of “The Rite,” their allegedly pornographic play. Whether it was Bergman who influenced a lot of SM films, including the popular recently shown film Shades of Grey, this film is indeed a fascinating example of what sado-masochism is all about. © 2018 Ed Farolan
USA 1974 Dir. Nicolas Roeg 110 min. Dates and Venue 17 Feb - 4 Mar 2018 | Cinémathèque, 1131 Howe Street, Vancouver Reviewer Christian Steckler |
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The Cinematheque continues its quest to provide the best examples of cinematic excellence to Vancouver audiences in an exciting collection of Nicolas Roeg’s films, aptly titled “Out There”. Roeg has been quoted as saying that a film is merely an expression of a film maker’s thought, wondering if anyone is “out there” understanding those thoughts. This fine sampling of the controversial director’s works aligns the visionary cinematographer-cum-director’s work with a generation of audiences ready to credit it for the genius that went under-recognized at the time that he made these films from the 1970s to the 90s. The “Out There” series runs from February 17 to March 4, with repeated screenings of all the films for the viewer’s convenience.
© 2018 Christian Steckler |
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