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When and Where 23 May 2025, 7pm | Orpheum Theatre Program Mykhailo Verbytsky’s Ukraine National Anthem; Kelly-Marie Murphy’s Curiosity, Genius, and the Search for Petula Clark; Béla Bartók’s Music for Strings, Percussion and Celesta: Andante tranquillo, Allegro, Adagio, Allegro molto; Ludwig van Beethoven’s Piano Concerto No. 5 in E-flat major, Op. 73 “Emperor”: Allegro, Adagio un poco mosso, Rondo: Allegro ma non troppo Conductor Otto Tausk Featured performer Behzod Abduraimov - piano Reviewer Alexander M. | |
The evening began appropriately with the Ukraine National Anthem, a stirring opening that set a patriotic tone and homage to global cultural ties. The concert’s main work, Beethoven’s Piano Concerto No. 5 in E-flat major, where the inimitable Uzbekistan pianist Behzod Abduraimov delivered a performance replete with both technical mastery and profound emotion. This program not only celebrated musical brilliance but also underscored the concert’s special dedication to Vancouver’s sister city, Odesa in Ukraine - a gesture that resonated deeply with Vancouver’s culturally attuned audience. Abduraimov showcased the “magic touch” for which his reputation is renowned. His interpretation of Beethoven’s famed “Emperor” Concerto was at once a display of technical brilliance and a stirring emotional rendering that invited the audience to journey alongside him. The musical connection between him and Maestro Otto Tausk’s conducting forged a dialogue between the soloist and the orchestra - each note woven into the evening’s storytelling fabric. The rich acoustics of the auditorium bathed every crescendo and quiet moment in a warmth that felt almost tangible. Equally compelling were the supporting performances. Bartók’s Music for Strings, Percussion and Celesta, a daring work filled with modern intensity and complex rhythm and Kelly-Marie Murphy’s piece, an innovative tribute blending modern musical exploration with historical commentary. Both works provided a refreshing counterpoint to Beethoven’s monumental work, forming a narrative arc that spoke to the evolution of musical expression. The night was a master class in how music can be as much a theatrical experience as it is a performance. This evening was not merely a nod to the classical canon, it was a vibrant re-imagining that challenged and delighted, bridged cultures, and affirmed the Vancouver’s position as a beacon of artistic exchange. As the final notes of “Emperor” faded into appreciative applause, it became clear that this concert was a transformative experience—one that will echo after the audience has left their seats. Whether you are a seasoned patron of the arts or a newcomer to Vancouver’s performance scene, this program invites you to look deeper into the narratives behind the music. Future events promise more such explorations into the intersections of heritage and innovation. © 2025 Alexander M. |
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