Early Music Vancouver
Summer Festival: Bach Untamed

Monteverdi's Vespers of 1610

When & Where 1 August, 2024 at 7.30 pm | Chan Centre for the Performing Arts

Director Alexander Weimann

Artists: Sopranos Hana Blažíková & Sherezade Panthaki Altos Nicholas Burns & Emma Parkinson Tenors Charles Daniels, Haitham Haidar, & Oliver Dalton Baritone Steven Bélanger Basses Drew Santini & Jonathon Adams
Cornettos Bruce Dickey & Matthew Jennejohn Trombones Catherine Motuz, Maximilien Brisson, Ellen Marple & Jeremy Berkman, with the Pacific Baroque Orchestra

Reviewer Shakeela Begum


Attending the performance of Claudio Monteverdi’s Vespers of 1610 at the Chan Centre for the Performing Arts at the University of British Columbia was a truly transcendent experience. This undisputed masterpiece, known for its spiritual and emotional depth, came alive in the brilliant acoustics of the Chan Centre, offering an evening of music that was both intimate and grand, prayerful and extraordinary.

Monteverdi’s Vespers, dedicated to the Virgin Mary, masterfully combines the reverent with the exalted, creating an auditory experience that is both thrilling and sensual. The opulent choruses, and moving solo arias and duets showcased Monteverdi’s unparalleled ability to convey the expressive power of music.

Under the expert direction of Alexander Weimann, a remarkable ensemble of ten international soloists and 17th-century instrumentalists brought this work to life. The peerless Bruce Dickey on cornetto added a layer of brilliance to the performance. Sopranos Hana Blažíková and Sherezade Panthaki, along with Nicholas Burns, Emma Parkinson and Charles Daniels delivered exceptional performances that highlighted the intricate vocal lines and emotional depth of the piece.

Tenor Haitham Haider’s breathtaking performance was a standout, captivating the audience with his powerful and emotive voice made the evening memorable.

The Chan Centre’s renowned acoustics played a pivotal role in enhancing the performance. The hall’s exceptional sound quality ensured that every note resonated beautifully, whether from the soloists or the ensemble, amplifying the overall impact of the music.

This performance of Monteverdi’s Vespers of 1610 was a true celebration of sacred music, brought vividly to life in the Chan Centre. It was an evening of transcendent beauty that left the audience both thrilled and deeply moved. If you are ever able to experience this masterpiece live, I highly recommend it.

© 2024 Shakeela Begum